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A Ready-Made Life

Title Sub
Early Masters of Modern Korean Fiction
Author
Chae Man-shik
Co-Author
Hyon Chin’gon , Na Tohyang , Yi Kiyong , Yom Sang-Seop , Yi T`ae-Jun , Kim Tong-in , Chu Yo-sŏp , Kim Tong-Ni , Kim Yujong , Yi Hyo-Sŏk , Yi Kwangsu , Ch`oe chŏnghŭi , Pak T`ae-wŏn , YI Sang , Hwang Soon-won
Translator
Kim Chong-un,Bruce and Ju-Chan Fulton
Publisher
University of Hawaii Press
Published Year
1998
Country
UNITED STATES
Classification

KDC구분 > literature > Korean Literature > Complete Collection > Library > Complete Collection & Library (more than 2 writers)

Original Title
한국현대 초기작가 소설선: <레디메이드 인생>
Original Language

Korean(한국어)

Romanization of Original
Hangukhyeondae chogijakga soseolseon <Redimeideu insaeng>
ISBN
9780824820718
Page
200
Volume
-
Writer default image
  • Ch`ae Man-Sik
  • Birth : 1902 ~ 1950
  • Occupation : Novelist
  • First Name : Man-Sik
  • Family Name : Chae
  • Korean Name : 채만식
  • ISNI : 0000000108825128
  • Works : 30
No. Call No. Location Status Due Date Reservation
1 영어 813.82 레디메-김 LTI Korea Library Available - -
Published Year Publisher Country Vendor
1998 The University Press of Hawaii UNITED STATES OverDrive
Descriptions
  • English(English)

A Ready Made Life is the first volume of early modern Korean fiction to appear in English in the U.S. Written between 1921 and 1943, the sixteen stories are an excellent introduction to the riches of modern Korean fiction. They reveal a variety of settings, voices, styles, and thematic concerns, and the best of them, masterpieces written mainly in the mid-1930s, display an impressive artistic maturity. Included among these authors are Hwang Sun-won, modern Korea's greatest short story writer; Kim Tong-in, regarded by many as the author who best captures the essence of the Korean identity; Ch'ae Man-shik, a master of irony; Yi Sang, a prominent modernist; Kim Yu-jong, whose stories are marked by a unique blend of earthy humor and compassion; Yi Kwang-su and Kim Tong-ni, modernizers of the language of twentieth-century Korean fiction; and Yi Ki-yúng, Yi T'ae-jun, and Pak T'ae-won, three writers who migrated to North Korea shortly after Liberation in 1945 and whose works were subsequently banned in South Korea until democratization in the late 1980s.

One way of reading the stories, all of which were written during the Japanese occupation, is that beneath their often oppressive and gloomy surface lies an anticolonial subtext. They can also be read as a collective record of a people whose life choices were severely restricted, not just by colonization, but by education (either too little or too much, as the title story shows) and by a highly structured society that had little tolerance for those who overstepped its boundaries. Life was unremittingly onerous for many Koreans during this period, whatever their social background. In the stories, educated city folk fare little better than farmers and laborers.



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