Kyung-Sook Shin / 신경숙 / 2011 / -

Sepasang suami-istri berangkat ke kota untuk mengunjungi anak-anak mereka yang telah dewasa. Sang suami bergegas naik ke gerbong kereta bawah tanah dan mengira istrinya mengikuti di belakangnya. Setelah melewati beberapa stasiun, barulah dia menyadari bahwa istrinya tak ada. Istrinya tertinggal di Stasiun Seoul. Perempuan yang hilang itu tak kunjung ditemukan, dan keluarga yang kehilangan ibu/istri/ipar itu mesti mengatasi trauma akibat kejadian tersebut. Satu per satu mereka teringat hal-hal di masa lampau yang kini membuat mereka tersadar betapa pentingnya peran sang ibu bagi mereka; dan betapa sedikitnya mereka mengenal sosok sang ibu selama ini, perasaan-perasaannya, harapan-harapannya, dan mimpi-mimpinya.   Source: https://www.goodreads.com/book/show/12594604-please-look-after-mom-ibu-tercinta

Kyung-Sook Shin et al / 신경숙 et al / 1998 / KDC구분 > literature > Periodical

分類 収録作品(日本語) 収録作品(韓国語) 作家(日本語) 作家(韓国語) ページ その他(詩集/部分/副題) 対談 沈黙に耳を澄まして 대담 침묵에 귀를 기울이다 申京淑 신경숙 p.92 　 小説 聖日 성일 申京淑 신경숙 p.102 「강물이 될 때까지」  小説 野原の中の高台の空き家 벌판 위의 빈집 申京淑 신경숙 p.119 「오래전 집을 떠날 때」  小説 あゆ釣り通信 은어낚시통신 尹大寧 윤대녕 p.125  

Kyung-Sook Shin et al / 신경숙 / 2006 / KDC구분 > literature > Korean Literature > Korean Fiction > 20th century > 1945-1999

风云动荡的时代,少女申京淑逃离农村,来到城市,租住在偏僻的单人房,奔波于车间和课堂,只为追逐心中的梦想。同学希斋姐姐的死给她的心灵蒙上了浓重的阴影,周围人们为反抗军事独裁奋不顾身的精神加速了她的成长。许多年后......

Yi Kwang-Su et al / 이광수 et al / 1998 / KDC구분 > literature > Korean Literature > Complete Collection > Library > Complete Collection & Library (more than 2 writers)

This anthology of short stories reflects the writers’ shared core experience of Korea’s trajectory from an inward-looking feudal state, through Japanese colony and battle-ground for the Korean War, to a modernizing society. Three stories have been added to the original edition. Source : https://londonkoreanlinks.net/book_item/the-rainy-spell-and-other-korean-stories/

Ha Keun-Chan et al / 하근찬 et al / 2008 / KDC구분 > literature > Korean Literature > Complete Collection > Library > Complete Collection & Library (more than 2 writers)

Without question, literature is the best place to start knowing and understanding one another. For isn't there a real fascinating connection between writers and place - where people come from and where they go? A very large part of a nation's writing is the story of its roots in a place and when Koreans come to our country, they bring with them the story of their roots in Korea.     Source: http://www.goodreads.com/book/show/9813879-reading-korea

Ch`ae Man-Sik et al / 채만식 et al / 1998 / -

A Ready Made Life is the first volume of early modern Korean fiction to appear in English in the U.S. Written between 1921 and 1943, the sixteen stories are an excellent introduction to the riches of modern Korean fiction. They reveal a variety of settings, voices, styles, and thematic concerns, and the best of them, masterpieces written mainly in the mid-1930s, display an impressive artistic maturity. Included among these authors are Hwang Sun-won, modern Korea's greatest short story writer; Kim Tong-in, regarded by many as the author who best captures the essence of the Korean identity; Ch'ae Man-shik, a master of irony; Yi Sang, a prominent modernist; Kim Yu-jong, whose stories are marked by a unique blend of earthy humor and compassion; Yi Kwang-su and Kim Tong-ni, modernizers of the language of twentieth-century Korean fiction; and Yi Ki-yúng, Yi T'ae-jun, and Pak T'ae-won, three writers who migrated to North Korea shortly after Liberation in 1945 and whose works were subsequently banned in South Korea until democratization in the late 1980s. One way of reading the stories, all of which were written during the Japanese occupation, is that beneath their often oppressive and gloomy surface lies an anticolonial subtext. They can also be read as a collective record of a people whose life choices were severely restricted, not just by colonization, but by education (either too little or too much, as the title story shows) and by a highly structured society that had little tolerance for those who overstepped its boundaries. Life was unremittingly onerous for many Koreans during this period, whatever their social background. In the stories, educated city folk fare little better than farmers and laborers. https://www.abebooks.com/9780824820718/Ready-Made-Life-Early-Masters-Modern-0824820711/plp

Kyung Ran et al / 조경란 et al / 2002 / KDC구분 > literature > Korean Literature > Korean Fiction > 21st century

Kyung-Sook Shin et al / 신경숙 / 2008 / KDC구분 > literature > Korean Literature > Korean Fiction > 20th century > 1945-1999

Dans ce roman d'une beauté poignante, Shin Kyong-suk met au jour un passé resté douloureusement enfoui dans sa mémoire. C'est l'été, elle a seize ans et quitte sa campagne pour Séoul. Le seul moyen pour elle d'accéder au lycée est de devenir ouvrière dans une usine et d'être choisie parmi les plus méritantes pour suivre des cours du soir. De seize à dix-neuf ans, elle va connaître les privations, le travail éreintant, la solitude pareille à une pluie froide, puisant chaque jour en elle-même une force renouvelée pour vivre jusqu'au lendemain. Et c'est là, dans cette étroite chambre parmi les trente-sept de la maison labyrinthique qui abrite les employés d'usine, que va jaillir en elle le désir, la promesse incroyable de devenir écrivain. Pour conserver quelque chose de pur au, fond de moi.

Hyeon Sangyun et al / 현상윤 et al / 2006 / -

朝鮮のモダニズムの旗手として有名な朴泰遠の表題作をはじめ、1910年代から40年代の植民地期の朝鮮近代文学の多彩な短編を、時代を追って読むことのできるアンソロジー。   Source: http://www.heibonsha.co.jp/book/b157983.html

Kyung-Sook Shin et al / 신경숙 et al / 2002 / KDC구분 > literature > Korean Literature > Complete Collection > Library > Complete Collection & Library (more than 2 writers)

未来へと駆けてゆく90年代の短篇群を収める。あのように揺るぎなくみえた韓国の家族の結びつきにさえ時代の息吹が急速に打ち寄せる。旧弊なる村人や役人と果敢にやりあうパワフルなキッチン・ドリンカーのバツイチかあちゃんに新時代の息吹を感じさせる「かあちゃんはシングルマザー」、家族に持てあまされ見放された「アンビシャスな悪ガキ」の警察署に託された日々を描いてしみじみとした哀歓の満ちる「警察署よ、さようなら」など、新しいステージに立って戸惑い、この現在に屈託する心を持ちながら今に臨む人々の素顔が浮かび上がる。収録の諸作品はいずれも現代を斬新な切り口から鮮烈な感覚で描き出す。