Na Do-hyang / 나도향 / 2013 / KDC구분 > literature > Korean Literature > Korean Fiction > 20th century > Short Story

Na Do-hyang is considered to be a representative author of colonial Korea, for he clearly depicted the dark realities of that time. “The Water Mill”, along with his other short story “Mulberry”, is the most representative of his realistic writing style. By illustrating a tragic love affair that happens at the water mill and the passionate crime that results from it, the story paints a vivid picture of man’s greed for material wealth, his sexual instincts, and the poverty that exists, as well as the feelings of loss that result from it.

Na Do-hyang / 나도향 / 2014 / KDC구분 > literature > Korean Literature > Korean Fiction > 20th century > 1910-1945

Na Do-hyang (1902 - 1927)’s  real name is Kyung-son and his pen name is Bin. He was born in 1902. After graduating from Baejae Normal High School, he was admitted to Kyeongseong Medical School but dropped out and went to Tokyo, Japan, to study literature, returning in 1919 to teach at an elementary school in Andong for one year. He began his literary career in 1921, publishing “Leaving Home” in the Baejae School Newspaper and later on, his short story “Memory” in the People’s Opinion. In 1922, as a member of the literary coterie magazine The Swan, he published his work “The Seasons of a Young Person” in its first edition.      In 1925, with the publication of his artistically mature pieces like “The Water Mill”, “Mulberry”, and “Mute Sam-ryong”, he received much attention as a writer. He died on August 26, 1927. His full-length novel, Mother (1939) was published posthumously.  

Na Do-hyang / 나도향 / 2014 / KDC구분 > literature > Korean Literature > Korean Fiction > 20th century > 1910-1945

Na Do-hyang (1902 - 1927)’s  real name is Kyung-son and his pen name is Bin. He was born in 1902. After graduating from Baejae Normal High School, he was admitted to Kyeongseong Medical School but dropped out and went to Tokyo, Japan, to study literature, returning in 1919 to teach at an elementary school in Andong for one year. He began his literary career in 1921, publishing “Leaving Home” in the Baejae School Newspaper and later on, his short story “Memory” in the People’s Opinion. In 1922, as a member of the literary coterie magazine The Swan, he published his work “The Seasons of a Young Person” in its first edition.      In 1925, with the publication of his artistically mature pieces like “The Water Mill”, “Mulberry”, and “Mute Sam-ryong”, he received much attention as a writer. He died on August 26, 1927. His full-length novel, Mother (1939) was published posthumously.  

Ch`ae Man-Sik et al / 채만식 et al / 1998 / -

A Ready Made Life is the first volume of early modern Korean fiction to appear in English in the U.S. Written between 1921 and 1943, the sixteen stories are an excellent introduction to the riches of modern Korean fiction. They reveal a variety of settings, voices, styles, and thematic concerns, and the best of them, masterpieces written mainly in the mid-1930s, display an impressive artistic maturity. Included among these authors are Hwang Sun-won, modern Korea's greatest short story writer; Kim Tong-in, regarded by many as the author who best captures the essence of the Korean identity; Ch'ae Man-shik, a master of irony; Yi Sang, a prominent modernist; Kim Yu-jong, whose stories are marked by a unique blend of earthy humor and compassion; Yi Kwang-su and Kim Tong-ni, modernizers of the language of twentieth-century Korean fiction; and Yi Ki-yúng, Yi T'ae-jun, and Pak T'ae-won, three writers who migrated to North Korea shortly after Liberation in 1945 and whose works were subsequently banned in South Korea until democratization in the late 1980s. One way of reading the stories, all of which were written during the Japanese occupation, is that beneath their often oppressive and gloomy surface lies an anticolonial subtext. They can also be read as a collective record of a people whose life choices were severely restricted, not just by colonization, but by education (either too little or too much, as the title story shows) and by a highly structured society that had little tolerance for those who overstepped its boundaries. Life was unremittingly onerous for many Koreans during this period, whatever their social background. In the stories, educated city folk fare little better than farmers and laborers. A Ready-Made Life will provide scholars and students with crucial access to the literature of Korea's colonial period. A generous opening essay discusses the collection in the context of modern Korean literary history, and short introductions precede each story. Here is a richly diverse testament to a modern literature that is poised to assume a long overdue place in world literature. Source: https://lti.overdrive.com/media/4004892?cid=37224