Publishing Arthub / December 21, 2020

Publishers offer a vibrant selection of works in translation. Here's a shortlist of some of the most intriguing translated books published in 2020, and a look ahead to 2021.  

keulmadang / June 12, 2009

A la différence de la plupart des sociétés, les Coréens sont liés à la famille dans une mesure qui dépasse l’ordinaire. Une crise de conscience a poussé les Coréens, en tant que victimes de la colonisation et de la guerre, à rechercher surtout la tranquillité, la sécurité et le bonheur pour leurs familles. Néanmoins, à partir des années ’90, le modèle familial existant se confronte à la crise. C’est la génération des jeunes écrivains du 21e siècle qui capte et documente les signaux de ce changement.  

_list Books from Korea / February 17, 2015

 Significance of North Korean Defectors in Fiction  By Park Dukkyu on Feb 17 2015 11:29:50 Vol.26 Winter 2014The Future As a Unified Country In 1960, Choi In-hun expressed his longing for a square that would serve as a truly open space for individuals and groups to communicate in The Square, the story of a character named Lee Myong-jun who gets a taste of the two regimes during the Korean War only to become a casualty of both. This square never actually materialized, but it did leave an indelible mark on Korean literature. Fifty years after The Square and 60 after the Korean War, Lee Eung Jun’s The Private Life of a Nation (2009) imagines a reunified Korea (the South having absorbed the North) that has become “a ship about to sink in an endless sea of desire.” It is true that nearly 70 years of division bodes for a murky, chaos-ridden future when the two Koreas are finally reunited. Nevertheless, there is really only one option. It is impossible to discuss the future of Korea without assuming that it will become a unified country.North Korea remains the most isolated country in the world, and chances of the regime surviving into the distant future look to be slim. The massive rise in this past decade of North Koreans defecting to the South supports this. But what kind of country do they find in South Korea? Is it, as The Private Life of a Nation claims, “a ship ridden by desire, drifting in a sea with no place to drop anchor”? The gaze of North Korean defectors who have experienced life in the North and have made the drastic choice of escaping from that regime to live in the South, therefore, may very well serve as a barometer of the present and future of Korean society. It is from this perspective that North Korean defector literature is such a fascinating subject. Diaspora and Minority North Korea’s economy plummeted in the 1980s, influenced by a mixture of both internal and external factors. Kim Il-sung’s death in 1994 marked the beginning of a great famine that claimed countless lives. The North Korean regime responded by launching the “Arduous March” campaign, so-called after an apocryphal exploit of Kim Il-sung’s. According to legend, Kim Il-sung, braving starvation, marched for 100 days in freezing conditions during his fight against the Japanese in the late 1930s. By the time the new century rolled around, however, it became clear that the campaign had failed. North Koreans were fleeing the country for South Korea in greater numbers than ever before, preferring to take their chances rather than starve to death. As of September 2013, the number of recorded North Korean defectors in South Korea stands at 26,483, with the majority having defected post-1990s.This mass defection is symbolic of South Korea’s absolute dominance in North-South relations and may be viewed as circumstantial evidence that the North Korean regime is crumbling. Defection has kicked off various debates in favor of reunification, marking a noted decline in old, separationist points of view. This shift of perspective triggered by North Korean defection is not limited to the Korean peninsula, but influences the power relations of Northeast Asian politics and beyond. In this age of globalization, with national boundaries being redefined, the transnational population, or diaspora, has become a subject of lively discussion.North Korean defection is a specific phenomenon that allows us to posit the dissolution of the North Korean regime within the realm of probability and to extrapolate upon the future of a reunified Korea. It might also be interesting from an international perspective as an example of redefining territorial boundaries in a globalized world. From this point of view, it is worthy to note that North Korean defectors are both a diaspora that have left their former country and are in the process of being assimilated into a new one, and a minority group that suffers from second-citizen status in their new countries, including but not limited to South Korea. As North Korean defectors become a more visible presence in South Korean society, they are increasingly depicted in more varied and sophisticated ways in comparison to the earliest portrayals, which were limited to their immediate plight. Defector Fiction North Korean defectors first appear in South Korean literature from the mid-1990s in such short stories as “Deer Hunting,” “You Tremble from Loneliness Even When You Are Together,” “Three People,” and “The Woman Who Reads Children’s Stories.” The struggles these characters face adapting to life in South Korea highlight the contradictions and pitfalls of South Korean capitalism while also showing defectors as guinea pigs of a reunified Korea. Following this initial stage in the 2000s, North Korean defector fiction began to diversify in terms of characterization and setting. Jeong Do-sang’s short story collection Brier Rose (2008) depicts the trials of a young woman named Chung-sim who is trafficked out of North Korea and subjected to seemingly endless abuse as a woman and as a stateless person. The collection is notable in that it draws attention to the real life problems of North Koreans being subjected to human trafficking and other human rights abuses in the burgeoning cottage industry known as the “North Korean defector trade,” run by brokers and religious organizations.Hwang Sok-yong’s novel Princess Bari (2007) also depicts the human rights abuse inflicted upon a North Korean defector, the eponymous Bari, who finally finds a home with other migrants in England. As a stateless person and a woman, Bari is a minority twice over. In Kang Young-sook’s novel Rina (2006), 15-year-old Rina is separated from her family while escaping from North Korea to a country called P. After being kidnapped, she survives rape, forced labor, prostitution, human trafficking, drug trafficking, the slaughterhouse, and near murder. In Cho Haejin’s novel I Met Lo Kiwan (2011), the titular character and his mother are escaping North Korea when the mother dies. Lo Kiwan uses the money from selling his mother’s body to go to Belgium, where he struggles to gain refugee status. From Minority to Owners of the Ghetto To categorize North Korean defector fiction by period, works from the 1990s explore North Korean issues from a South Korean point of view, while those from the 21st century tend to incorporate more international experiences and points of view. Another way of categorizing these works would be by setting, with some concerning characters who have escaped North Korea but are still on the run, and others featuring characters who have settled down in one place, usually South Korea. Brier Rose, Princess Bari, Rina, and I Met Lo Kiwan feature characters that have escaped North Korea but have not yet found a permanent home. Kwon Ree’s novel Left-handed Mr. Ri (2007), Kang Heejin’s novel Ghost (2011), and Jeon Suchan’s novel Shame (2014) depict the isolation of North Korean defectors who have settled in South Korea. It is likely that this second type of North Korean defector fiction will flourish in the future, highlighting how North Korean defectors are already present in South Korean society yet continue to be marginalized.In this light it is particularly interesting to note the open ending adopted by some of these works. In Princess Bari, for example, Bari ends up in a ghetto of capitalist London, where she and other migrants build a community of their own. In Rina the protagonist is left in limbo, excluded from both her country of origin and P, her hoped-for destination. What is noteworthy is that these outcasts, living in marginalized and impoverished enclaves, go on to establish tightly-knit and freestanding communities through their own power.In conclusion, if North Korean defector fiction focuses on the minority status of its characters, it is not to wallow in the hopelessness of a tragic situation. While the myriad of problems associated with North Korean defection can only be truly resolved through reunification, on a more immediate note it is necessary for North Korean defectors to shed their ghetto mentality and feelings of inadequacy. Princess Bari ends with Bari carving out a multicultural, deterritorialized place for herself in an immigrant enclave of capitalist superpower London. In Rina, the ever-marginalized Rina is reborn through life-defining experiences and claims ownership of a ghetto of her own. by Park DukkyuProfessor, Dankook University AuthorTitleGenreProtagonistSexResidenceHardshipPark Dukkyu“Deer Hunting”Short storyPark Dang-samMSouth Korea/ culinary schoolLack of skills, inability to adapt“You Tremble from Loneliness Even When You Are Together”Short storyYeom Jeong-silFSouth Korea/ government facilityCulture shockJeong Do-sangBrier RoseShort story collectionChung-simFNortheastern ChinaCasualty of North Korean defector tradeSouth Korea/karaokeHwang Sok-youngPrincess BariNovelBariFNortheastern China UK/ 3rd countryVictim of human traffickingKang Young-sookRinaNovelRinaF3rd country(en route to country P)Victim of human traffickingKwon ReeLeft-handed Mr.RiNovelMr.RiMSouth Korea/ innInability to adaptCho HaejinI Met Lo KiwanNovelLo KiwanMBelgiu/ detention center, restaurantStatelessnessKang HeejinGhostNovelHa-rimMSouth Korea/ Internet cafeMarginalizationJeon SuchanShameNovelWon-gilMPyeongchang, South KoreaBullying Twitter Facebook Google Email .

list_Books from Korea / -

Love of the Missing: Modern Korean Fiction by Women, 1990-2010   By Hur Yoonjin on Nov 11 2014 01:10:01 Vol.12 Summer 2011 As Korean women writers move beyond the label of “women” and are recognized as “writers,” a new aesthetic and modern concerns emerge.     Prior to the Enlightenment Period, Hangeul was often disdained in Korea— or more precisely, the Joseon era as it was known then—as “female writing,” meaning it was a writing system befitting only women. During the Enlightenment, however, Hanmun (classical Chinese), which had played the same role as Latin in East Asia, was replaced by the Korean vernacular, and Hangeul, which had previously been used only by the lower classes, naturally became the official writing system. In the hundred or so years since, women who used to be denigrated as yoryu (“female”) have distinguished themselves with their masterful use of artistic language. As modern education for women took deep root in Korean society, women became active beneficiaries of knowledge transmitted through language and, as a result, their self-awakening began to materialize. By the 1990s, women, no longer a minority in need of special protection, had emerged the mainstream in literature. Even in literary criticism, once the exclusive domain of men, women critics—who understood the value of women’s literature and could subject it to proper critical examination— became actively involved. The literature of women writers received such high praise and captured the attention of both the market and critics that the 1990s could even be called the decade of women writers.      There, a Petal Silently Falls Ch'oe Yun, Moonji Publishing Co., Ltd. 1992, 312p, ISBN 9788932005782

list_Books from Korea / -

Winter brought unrelenting blizzards that turned the ashen landscape into a dream-like winter wonderland. When the snow was particularly heavy, they couldn’t even leave their houses, the front doors having vanished. The people with pulmonary problems had the worst of these winters. Mornings were spent shoveling snow and clearing roads. If they stopped to rest for even a moment, the snow would catch up with them. The world became lighter and brighter and the people became crazier. “I love the industrial complex forever. I’ll bury my bones here!” they would yell as they floundered in the snow. There was so much snow that some people started to show serious signs of oxygen deficiency. It was here that Rina received two gifts that would haunt her for the rest of her life: acute sensitivity to sunlight in both her skin and eyes. Nowhere outdoors was safe for her, so she would sit at home and curse like a sailor, tears streaming from her eyes. Winter seemed like it would never end. They were isolated time and again by the snow. No one was able to leave the industrial complex. Everyone slept late, except for one old man who woke up early every morning to quietly clear away the snow that had piled up overnight. He seemed to be the only sane, living one among them. But sometimes even he looked like a corpse. The snow blocked the roads and the people from the west side had no way of bringing food over. Without any money to bet, and nothing other than money to bet, they staked their sick, diseased lives. They dealt cards and sat quietly, each person looking down at his or her own hand. It would get so quiet that even the mice that had accidentally crept in would tiptoe along the walls. No one said it out loud, but they were all secretly waiting for the phone to ring—the phone with the broken cord that someone had brought to use as decoration—and they hoped that help would be on the other end of the line.

Book Riot / July 27, 2023

Every season I pour over the catalogs and galleys of new releases in translation and highlight some of the titles that I’m excited about for Book Riot.

list_Books from Korea / -

Diaspora, Our Modern Fate Author's Profile By Kang Young-sook on Nov 15 2014 15:21:16 Vol.24 Summer 2014 “Kang highlights the fact that life has not always been as it is today, that it is constructed of and maintained by artifice.” — Ryoo Bo Sun   I am writing this in San Francisco, California. San Francisco is populated by a multiethnic, multicultural group of people who have experienced various kinds of diaspora. A few days ago, there was a Daesan-Berkeley Writer-in-Residence Event hosted by the Center for Korean Studies at UC Berkeley. One person in the audience, a Korean who’d immigrated to the United States 10 years ago, asked why Korean literature does not draw from the lives of immigrants like them. “We have so many stories to tell,” she said. Perhaps because of the generation difference, the juniors and seniors at Berkeley, who were in the “Modern Korean Fiction” class I participated in, tended to think of diaspora as an interesting new challenge and an opportunity to grow. The class was a mix of students from Korea, Korean-Americans, and Americans of other ethnicities who seemed to be the products of voluntary diaspora. I wonder what kinds of stories they will produce when they start writing their own stories. I also wonder how the personal histories of biracial Koreans with Southeast Asian parents who grew up in the Korean countryside will be recorded when they write their stories in Korean. My novel, Rina, is a story about a girl who escapes from a country loosely based on North Korea and traverses the tough landscape of Asia. Rina, the main character, is reminiscent of a North Korean defector, but could in fact be any woman in our globalized reality who is crossing borders as we speak, braving all manners of voluntary and involuntary diaspora. I thought about everything that could possibly happen when a girl who was born and raised in the margins of Asia tries to cross a national border. There’s no guarantee that all kinds of horrible things such as starvation, murder, drug abuse, prostitution, trafficking, explosions, fraud, or betrayal would not befall her. And the replacement families, love, death, and parting that take place under these horrid circumstances are also things she would not be able to avoid. Rina could be read as a bildungsroman since Rina grows up as she journeys across borders. I dealt with big, delicate topics such as division, capitalism, industrialized mechanized civilization, environmental issues, culture and customs, gender, and the body. In any case, I wanted to create a narrative that deals with diaspora, borders, and women in a unique tone.